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Month: January 2018

January 16, 2018January 16, 2018Articles

Fayetteville’s Block St. Theatre Travels to Chicago for New Show

This week marks a rather unusual event in Chicago theatre. With the […]

January 16, 2018January 16, 2018Chicago Reviews

Greenhouse’s “Rose” Revival Perfect For Our Times

A chill, snowy night in Chicago was warmed considerably for this reviewer […]

January 15, 2018January 16, 2018Chicago Reviews

Block St Theatre’s Gamble Pays Off With Winning “Flamingo & Decatur”

“Flamingo and Decatur,” a new play by Todd Taylor that Fayetteville, Arkansas’ […]

January 13, 2018January 15, 2018Chicago Reviews

“Nevermore” Is a Macabre Marvel of a Musical

As a former English teacher, I was certainly looking forward to Black […]

January 13, 2018Chicago Reviews

Maturity Beyond Its Title: “It’s My Penis” Inspires

Review by North R. Homeward I have never been a fan of […]

January 11, 2018January 11, 2018Chicago Reviews

Oz Musical Is Still Wicked-ly Fun

The first time I saw Wicked was on its initial Chicago run in […]

January 10, 2018January 10, 2018Chicago Reviews

“The Light” Shines on Dark Secrets and a Couple in Love

Review by Bradley Laas I was recently blessed with the opportunity to […]

January 9, 2018January 10, 2018Chicago Reviews

“For The Loyal” a Brilliantly Complex Moral Conundrum

Interrobang Theatre Project’s 8th season’s theme, “What is Truth?” may never have […]

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Recent Posts

  • The Yellow Brick Road to the USA: Teatro Vista’s brilliant new musical shows the sacrifices many immigrants must make to fulfill their dreams
  • A reunion to remember: The Artistic Home’s “The Pavilion”
  • Amazing “Alice” at Lookingglass
  • New translation of Chekhov’s Seagull proves a perfect match for Steppenwolf’s new Ensemble Theatre
  • Death be not proud: Raven Theatre’s The Luckiest confronts the end in the most positive way possible
  • On the Greenbelt is a powerfully-acted look at the secrets and lies that can break a family apart
  • Annabel Armour’s soul-searching, searingly introspective performance takes us into The Year of Magical Thinking, Joan Didion’s exploration of grief
  • Rasheeda Speaking explores racism and microaggressions in the workplace so we can see ourselves.
  • CST tackles a “problem play,” and all’s not quite well that ends well
  • Spring Awakening is powerful, emotional, and entertaining…and it will make you angry as you cry

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